Clarke produced the album, and afterwards continued working with the band. on the album), took time to find an audience. These deluxe editions were unique for an art rock group like the Moodies in that one of their members, Justin Hayward, was the one taken on to do the work, instead of a professional master technician. It was during 1969 that the band established their own label "Threshold" under licence to Decca Records. 1 in the US), the band returned to their signature orchestral sound which, while difficult to reproduce in concert, had become their trademark. Love and Beauty(1967) Tuesday Afternoon(1967). 39 US) and "Driftwood", (no. After Edge injured himself in 1991, second drummer Gordon Marshall was brought in to back him up; he stayed with the group after Edge returned and remained in the position until autumn of 2015 when he left to play in a Moody Blues cover band "Legend of a Band" and another cover band "Reflections". Il ajoute toutefois : « Mais je ne pense pas que ce sera un tube »[Note 6]. Pinder and Thomas also doubled as the Moodies' onstage MCs (as the "Caught Live + 5" album displayed. Nevertheless, when released in 1981, Long Distance Voyager was a colossal success, reaching No. The renewed interest in the band ensured a younger audience, with many of their longtime followers remaining loyal despite a fair number of older fans finding the albums of this period far more lightweight in content - for example, Lodge had gone from writing powerfully reflective mystical or humanitarian themed pieces such as "House of Four Doors", "Candle of Life" and "One More Time to Live" to quirkier items such as "Here Comes the Weekend", "Rock and Roll Over You" and "Love is on the Run (From Me)" while Hayward's songs seemed[citation needed] less the deeper drama of numbers such as "The Actor", "Dawning is the Day", "You Can Never Go Home", "The Land of Make Believe", etc., to pleasant (and more radio-friendly) perennial far simpler songs about lost love and romance ("Your Wildest Dreams", "No More Lies", "I Know You're Out There Somewhere" etc.). Tony Visconti produced some of the tracks on "Keys", as did Christopher Neil and Alan Tarney. D'autres reprises incluent celles de Bettye LaVette[j 6], Blue[j 9], David Lanz[51], Doc Watson[m 35], Eric Burdon and War[j 6], Eumir Deodato[52], Foals[m 36], Mario Frangoulis[53], Nancy Sinatra[j 6], Ramsey Lewis[54], The Shadows[55] et Transatlantic[56]. Sivua on viimeksi muutettu 6. heinäkuuta 2015 kello 05.54. En 2009, Gilles Verlant et Thomas Caussé la mentionnent dans leur livre La Discothèque parfaite de l'odyssée du rock, parmi les « 3000 morceaux classiques du rock »[33]. Regarding Nights in white Satin, the format claims that it was actually a song by The Easybeats that they had performed during a live program at the BBC that the members of the Moody Blues just happened to listen to. The album closed with "Watching and Waiting", composed by Ray Thomas and Justin Hayward and sung by Hayward. Plus récemment, en 2004, Will Hermes de Spin le décrit comme le « plus gros succès du rock progressif »[m 29]. Il monte rapidement dans le classement les trois semaines suivantes, en se classant respectivement 89e[m 6], puis 69e[m 7], puis 47e[m 8]. Also, it would be greatly appreciated if there were additional citations for NIWS charting in 2010 to add to what I have put in today? Léo Ferré fait directement référence au morceau dans sa chanson C'est extra, lorsqu'il chante « C'est extra Un Moody Blues qui chant'la nuit / Comme un satin de blanc marié[m 31],[o 7]. "Nights in white satin" featured on the BBC program "Saturday Club" in I think September or October 1964. Dès sa sortie en novembre 1967, Gary Taylor de Melody Maker remarque : « Le son est très remarquable — il y a eu beaucoup d'efforts investis là-dedans ». 3 in the American charts and No. The album opened with "English Sunset" a pop song featuring a modern, nearly techno arrangement. Le site Sputnikmusic qualifie Nights in White Satin de « poétique, envoûtant » et ajoute qu'avec Tuesday Afternoon, « les deux [morceaux] ancrent l'album et forcent avec encouragement les auditeurs d'aujourd'hui à découvrir l'ensemble de l'œuvre dont ils sont issus »[28]. The new members were John Lodge, their bassist from El Riot who was now finished with his education, and Justin Hayward, formerly of the Wilde Three. ), ali nije postigla tolike uspjehe kao prijašnji singlovi. On 19 July 2013, it was announced that the band would be appearing on the second annual Moody Blues Cruise,[31] from 2 to 7 April 2014, on the cruise ship MSC Divina. Nights in White Satin is een vrij invloedrijk nummer van The Moody Blues. The sessions were marked with tension and division: first there was a fire at the studios they were using, then after quickly relocating to Pinder's home studio, a landslide following torrential rains effectively marooned them, inevitably causing tensions to rise (with Pinder then dropping out before completion). It took the form to new heights using the London Festival Orchestra,[21] a loose affiliation of Decca's classical musicians given a fictitious name, adding the term "London" to sound impressive, to provide an orchestral linking framework to the Moodies' already written and performed songs, plus overture and conclusion sections on the album, including backing up Graeme Edge's opening and closing poems recited by Pinder. [40], Deram Records, Threshold Records, 1967–1972, "Denny left on Saturday and we´re not sure what we´re going to do. Finalement, Nights in White Satin passe sur la plupart des stations de radio américaines et devient alors un tube national[o 2],[m 2],[j 2],[Note 3]. 12 US) written by Hayward and Lodge. Le 18 décembre 1972, Nights in White Satin est certifié disque d’or par la Recording Industry Association of America (RIAA) pour s'être vendu à au moins un million d'exemplaires[17],[Note 4]. A final 'Mark One' Moodies single, Pinder-Laine's "Life's Not Life", was scheduled for release in January 1967 (Decca F 12543) c/w "He Can Win" even though Laine[19] couldn't perform it live because the group had relaunched themselves without him a few months earlier. Daarnaast is Nights in White Satin geschreven in een driekwartsmaat, terwijl de meeste popmuziek in vierkwartsmaat wordt geschreven. The members then released solo albums. In 1991, halfway through the production of their new studio album, Patrick Moraz did an interview with Keyboard magazine and made some comments in the article that suggested dissatisfaction with his role in the Moodies. Ray Thomas, a young John Lodge and (occasionally) Mike Pinder had been members of El Riot & the Rebels. Skladba je objavljena kao vodeći singl proljeća (vidi glazba u 1995. Il atteint également le top 20 en Afrique du Sud[21], ainsi que le top 10 dans deux classements australiens[22],[15]. This bit so far about the Easybeats and the wiped BBC tape is even attested during the episode by an original interview soundbite from one of the members of Moody Blues. [citation needed] In 1974 the band oversaw preparation of the compilation album This Is The Moody Blues which was released that year. Despite his diminished participation in the recording process, Thomas' high value remained on stage primarily from his continued ability to sing out his 1960s and 1970s Moodies classics, and also in flute and keyboard duets he composed with Moraz which were performed only during Moodies' concerts. In Nederland en België werd een ingekorte versie als single uitgebracht door Deram Records. Le magazine prédit, à travers ce single, un retour des Moody Blues dans les hit-parades[m 28]. Dans le reste du monde, le single se retrouve également propulsé au sommet des hit-parades. In de herfst van 1966 gebruikte de groep dit instrument ook voor hun vorige single, Love and Beauty.[10]. Clark joined The Rockin' Berries. Side A of the album consists almost solely of a disco version of Moody Blues' 1967 hit "Nights in White Satin", interrupted by a Moroder/Bellotte composition called "In the Middle of the Knight". In the US, "Nights in White Satin" did not make the Billboard Hot 100 in 1968, although it reached No. La chanson est dans la tonalité de mi mineur[2] et utilise l'accord de sixte napolitaine[3]. L'écrivain anglais Dave Thompson l'inclut deux ans plus tard dans son livre intitulé 1000 Songs that Rock Your World, où il la classe 365e[o 5]. The album was not to be and "Really Haven't Got the Time" (released as a single c/w "Fly Me High" some months later) is the only song mentioned in the article but the authors say Laine had written all of the material, with Thomas, Pinder and Clark (still the bass player) singing lead vocals as well. De tekst is beschikbaar onder de licentie. Back from a disappointing spell in the Hamburg region a few months later,[12] the pair recruited guitarist/vocalist Denny Laine and band manager-turned-drummer Graeme Edge. Pinder and Thomas initially approached their former El Riot bandmate John Lodge about being the bass player, but Lodge declined as he was still in college. They were so excited they wanted to have a copy and phoned the BBC, but the BBC said they'd already wiped the tape. The song also returned to the UK charts, reaching No. Op de hoes van de Amerikaanse uitgave stond 3:06 als duur van het nummer vermeld, terwijl de werkelijke duur 4:36 was. Thomas and Bliss continued the tradition of a flute/keyboard duet for many tours. The Moody Blues' most successful singles include "Go Now", "Nights in White Satin", "Tuesday Afternoon", "Question", "Gemini Dream", "The Voice" and "Your Wildest Dreams". The song "Watching and Waiting" was issued as a single on the Threshold label, but failed to chart. I have just modified one external link on Nights in White Satin. In een door het muziektijdschrift Revolver Magazine samengestelde lijst van de honderd beste nummers, de Revolver Magazine Ultieme Top 100 van 2005, eindigde het nummer op de achttiende plaats.[11]. Au Canada, il se classe no 1 dans les classements singles du magazine RPM[18]. Pinder contributed the closing track on side one, "So Deep Within You". 44 in October 1965 and no further British singles were released for about a year. Edge provided "22,000 Days" (featuring Thomas as lead voice with Hayward and Lodge) while Thomas' contributions were the final portion of the set with his singing on the final two songs; "Painted Smile", "Reflective Smile" (a poem narrated by a DJ friend of the band) and "Veteran Cosmic Rocker". However, they managed to convince Peter Knight, who had been assigned to arrange and conduct the orchestral interludes, to collaborate on a recording that used the band's original material instead. 23) – and Seventh Sojourn (1972) (which reached No. Cultural references. Kappale ei ensi alkuun saanut kovin suurta suosiota, koska se oli kestoltaan sen ajan tyyliin epätavallisen pitkä (7 min 38 s). En 1995, la reprise de la chanteuse allemande Sandra atteint respectivement les 34e et 86e places des classements néo-zélandais et allemands[48]. 52 UK, No. By now, the mellotron had long been set aside as their primary keyboard instrument on their studio albums and the band embraced a more modern, less symphonic approach, though still retaining a lush keyboard-led sound as Moraz gave a more contemporary edge[citation needed]. "Nights in White Satin" je u pop-rock obradi izvela njemačka pjevačica Sandra. The track is typical of the disco era in that it covers an entire LP side, but atypical as it is quite slow, only 110bpm, and not what was usually considered the standard at the time, 120bpm. Tony mentions Flying Down to … 2, se place quant à elle à la 33e place de ces mêmes classements musicaux, tout en se classant 14e en Irlande[46],[47],[20]. and then 'doubling up' the tapes of orchestral instruments' sounds, which combined with Pinder's ability and sensitivity at playing (Pinder having earlier worked for the company that manufactured the mellotron) and Varnals' recording skills at creating an orchestral 'wave' sound that characterised their non-orchestra accompanied sound thereafter. Five years later it reached number 3 on the Billboard chart in the US. ». Kappale itsessään kertoo kaihoisasta rakkaudesta. But after now reading the supposed KKK link, the image switches to an unending row of KKK members in regalia (the full name of the KKK included the work "Knights"). Marie Laforêt reprend également la chanson en 1982 dans une autre adaptation française, Blanche Nuit de Satin[m 31]. (No. Nights in White Satin a aussi été utilisé comme thème de l'attraction « Nights in White Satin: The Trip » du Hard Rock Park[j 13]. The episode's narrator then goes on that because they couldn't get a copy of the Easybeats song, they just jumped at the next opportuinity to record their own cover of the song, which was when Decca sent them for recording sessions with the London Symphonic Orchestra where they were supposed to record a rock version of Antonín Dvořák's From the New World, but the band just slipped the orchestra the notes to the Easybeats song they'd written down during the original performance at the BBC, and the result was basically another live song, because they only had time for one take until their producers at Decca would notice. Lodge provided a two-part song "House of Four Doors" set either side of Thomas' epic piece. Hayward and Lodge released a duo album, the very successful Blue Jays (1975), and a UK chart single, "Blue Guitar" (no. They were inducted into the Rock and Roll Hall of Fame in 2018. It sounds to me like the orchestral pieces on Days of Future Passed are only heard between the band's recordings. The recording hiatus ended in 1999, with the album Strange Times, their first album in almost two decades to be more than moderately received by British critics, although Justin Hayward was quoted as saying he was disappointed at the album's chart performance – probably not helped by the long recording hiatus – which was notably less than Keys of the Kingdom in 1991. 24 on the Billboard Hot 100. Le single apparaît pour la dernière fois dans le Billboard Hot 100 le 2 décembre, à la 17e place, avant de disparaître totalement du classement la semaine suivante[m 25],[m 26]. [2][9] It has been described as a "landmark" and "one of the first successful concept albums". Evan Sawdey, un autre contributeur du site, affirme que « peu de chansons peuvent aussi bien définir [The Moody Blues] aussi bien que la propre composition d'Hayward »[27]. [citation needed]. The group was still in demand for live gigs, though, and they had chart success in the US and in Europe during those months when "Bye Bye Bird" (Decca AT 15048) was lifted from their album in December 1965 as an overseas single in France (No. Thomas retired from the band in 2002. En 2012, elle réussit à se classer respectivement aux 41e et 55e places des hit-parades suisses et autrichiens[13],[25]. Strange Times was also the first album since 1970 to include a new poem by Graeme Edge, "Nothing Changes", narrated by Edge, with Hayward then singing the concluding portion of the track, and notably concluded by quoting Mike Pinder's 1968 song title "A Simple Game". Début août, le single entre à la 100e place du Billboard Hot 100[m 5]. It contained the hit single together with one side of classic R&B covers, and a second side with four Laine-Pinder originals. [Part 6]: UNT Digital Library", "Moody Blues drummer Graeme Edge interviewed - TechnologyTell", "Threshold Records (The Shop) in Moody Blues Hall Forum", "The Moody Blues: In Review • Sur La Mer (1988)", "The Moody Blues: Live at the BBC: 1967-1970", "The Moody Blues Cruise • April 2 - 7, 2014 -", "Michael Eavis on Kanye West's Glastonbury set: 'I wasn't there, I was at the Moody Blues, "Ray Thomas of British rockers The Moody Blues dies at 76", "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire", "Moody Blues Inducted Into the Ultimate Classic Rock Hall of Fame". [2][3] Een uitgebreide versie van ruim zeven minuten verscheen op het conceptalbum Days of Future Passed in 1967. Op sommige uitgaven, waaronder de Nederlandse, werd Hayward aangeduid met Redwave. "In the Middle of the Knight" (Giorgio Moroder, "Knights in White Satin" (Justin Hayward), "Oh, l'amour" (Giorgio Moroder, Pete Bellotte), "Sooner or Later" (Giorgio Moroder, Pete Bellotte), "I Wanna Funk with You Tonite" (Giorgio Moroder, Pete Bellotte), "Let The Music Play (Single Version)" - 3:39, "I Wanna Funk With You Tonite (Single Version)" - 3:54, "Knights In White Satin (Single Version)" - 3:52, This page was last edited on 20 September 2020, at 04:13. 65. En 1979, Justin Hayward est récompensé par l'American Society of Composers, Authors, and Publishers (ASCAP) en 1979 pour Nights in White Satin, du fait que la chanson s'est classée à trois occasions différentes de chaque côté de l'Atlantique durant les dix années précédentes[30]. Een uitgebreide versie van ruim zeven minuten verscheen op het conceptalbum Days of Future Passed in 1967. [2], The Moody Blues are members of the Vocal Group Hall of Fame. In the spring of 1974, after completing a vast world tour that culminated with a tour of Asia, the group took an extended break, erroneously reported as a break-up at the time, because of the other band members feeling exhausted and overshadowed (this was said by Hayward in the final issue of Higher & Higher magazine 2006). December was the group's first album to include covers since their 1965 debut album The Magnificent Moodies. To Our Children's Children's Children was the first of their albums to be released on their own label. singing the uptempo 'B' side "Lose Your Money (But Don't Lose your Mind)". [6], Met Days of Future Passed en Nights in White Satin onderscheidde de band zich van andere groepen uit de late jaren zestig. ), having been inspired by George Harrison. "Knights" made no sense to me at the time, making me mentally picture an unending row of knights dressed in soft white satin, bearing jousting lances. His daughter Doremi, who sings on the track "Raised on Love" on Hayward's 1977 album Songwriter, was born on 3 December 1972. Pinder also appeared on John Lennon's "Imagine" album in 1971, providing additional percussion on "I Don't Wanna Be a Soldier (I Don't Want to Die)". Hayward married model Ann Marie Guirron on 19 December 1970. Us oldies might have heart attacks from laughing so much! The album drew inspiration in production and arrangement from the pioneering use of the classical instrumentation by the Beatles, to whom Pinder had introduced the mellotron that year. [30] In March 2009, the ride closed because of the conversion of the park to the Freestyle Music Park, with the new owners desiring to make the park more "family friendly.". The Moody Blues performed live at the Birmingham Heart Beat Charity Concert 1986 which raised money for Birmingham Children's Hospital. Their long-time producer, Tony Clarke, died in January 2010. By 1980 they were ready to record again, this time bringing in producer Pip Williams. Pinder said he hoped to get the band back together that year. In 1972 en 1979 werd de single opnieuw uitgegeven. Their new style, featuring the symphonic sounds of Pinder's mellotron, was introduced on Pinder's song "Love And Beauty" (Decca F 12670) which was issued as a single c/w with Hayward's rocker "Leave This Man Alone" in September 1967. La chanson est également apparue plusieurs fois dans les classements singles français lors des années 2012, 2013 et 2014[24]. Pinder's "The Best Way to Travel" was another high point, as was his closing song "Om" (sung by Pinder and Thomas, again featuring Hayward on sitar). In live concerts, the mellotron was still used heavily by Moraz until the mid-1980s, including on songs that did not originally feature it.[25]. Le single rencontre un succès plus important en France et parvient à s'y classer no 1 pendant une semaine[7]. [27] On Strange Times Ray Thomas appeared vocally with Hayward and Lodge on "Sooner or Later (Walkin' on Air)" and his own brief song "My Little Lovely", plus provided a vocal snippet and backing vocals on Hayward's "English Sunset"; this was his recorded vocal swan song with the band. Engineer Derek Varnals also contributed heavily to the creation of the early Moody's studio sound, working with Pinder and Clarke to create a more symphonic overlapping sound on the mellotron as opposed to the sharp 'cut off' the instrument normally gave, partly achieved by removing all the "sound effects" tapes (trains, whistles, cockerel crowing, etc.) They also appeared on the cult TV programme Ready Steady Go! Pour Bruce Eder d'AllMusic, les deux chansons ont largement contribué au succès et à la popularité de l'album[29]. By this time, other bands were picking up their work. [13][14] They instead recruited bassist Clint Warwick. Unless, of course, I am misunderstanding the meaning of "KKK" in this context, I believe that this is a very objectionable point about this article. They disbanded when Lodge, the youngest member, went to technical college and Pinder joined the army. In late 1972, a re-issue of the five-year-old "Nights in White Satin" became the Moody Blues' biggest US hit, soaring to number two on the Billboard Hot 100 and becoming a certified million-seller; the song had "bubbled under" the Hot 100 charts on its original release. In Nederland en België werd een ingekorte versie als single uitgebracht door Deram Records. The Present (1983), again produced by Williams, was less successful than its predecessor, though it spawned a UK Top 40 hit (No. --2003:71:4E33:E518:168:78:D9DE:CD51 (talk) 22:57, 26 March 2017 (UTC). Sortie initiale et succès européen (1967-1968), Retour dans les hit-parades et succès mondial (1972-1973), Classements ultérieurs (1979 jusqu'à aujourd'hui), « C'était comme si 'Nights in White Satin' était le single de Seventh Sojourn. Nights in White Satin est une chanson du groupe de rock britannique The Moody Blues, sorti en single le 10 novembre 1967. Elle apparaît également dans plusieurs séries télévisées, dont Fringe, pendant l'épisode Le Plan[58], et Un flic dans la mafia, pendant le premier épisode du même nom[j 12]. Aux États-Unis, il atteint péniblement la 3e place du Bubbling Under the Hot 100[m 3],[Note 1] et la 94e place des classement singles du Cash Box magazine[m 4]. The Moody Blues are a rock band formed in Birmingham, England, in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge, and bassist Clint Warwick. [28][29], In 2007, the now defunct Hard Rock Park theme park in Myrtle Beach, South Carolina, announced the building of a dark ride entitled "Nights in White Satin: The Trip". Depuis 1989, 500 000 exemplaires vendus sont requis pour qu'un single acquière cette certification, It was almost as if 'Nights in White Satin' was the single from Seventh Sojourn. This was taken from the last tour on which Boshell played. No special action is required regarding these talk page notices, other than regular verification using the archive tool instructions below. 62 in the US) and a US Top 40 hit in "Sitting at the Wheel" (which failed to chart in the UK). Peu de temps après, la version originale se retrouve à la 51e place des classements singles britanniques, soit sa quatrième apparition dans le hit-parade[j 5],[6]. Il s'écoule alors à 20 000 exemplaires journaliers[m 2] et reste finalement onze semaines dans le classement[6]. Flautist and rhythm guitarist Norda Mullen was recruited early the following year for their North American tour, and has worked with the band live and in the studio since then. A non-album Hayward-Lodge song cut at these sessions, "Highway", was included on the "Say It with Love" twelve-inch single and on a later box set and compilation album, while the vinyl album did not include their song "Once is Enough" as on the compact disc version. I made the following changes: When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at {{Sourcecheck}}). 42, No. The ensuing tour saw them invited to play at the Montreux Jazz Festival. Nights in White Satin se classe également 18e en Allemagne[14]. Justin Hayward schreef Nights in White Satin op negentienjarige leeftijd, een jaar nadat hij zich bij de Moody Blues voegde. Peter Damian (talk) 09:17, 26 July 2015 (UTC). La diffusion du morceau pendant plusieurs nuits d'affilée fait réagir les auditeurs de la station de radio, et rapidement d'autres stations de Seattle commencent à le passer à leur tour. [15] Around this time the band were the resident group at the Carlton Ballroom, later to become rock music venue Mothers on Erdington High Street. Nights in White Satin on The Moody Blues -yhtyeen kappale, joka ilmestyi ensimmäistä kertaa vuonna 1967 Days of Future Passed -albumilla. Depuis sa parution, Nights in White Satin a surtout reçu des avis positifs de la part des critiques musicales. Nights in White Satin wordt op het album afgesloten met een gedicht, Late Lament; samen vormen ze The night. The LP was a song cycle or concept album that takes place over the course of a single day. L'une des explications de cet événement est la remise au goût du jour de la chanson par un DJ de Seattle. Written at the end of one love affair and the beginning of another, the song "Nights in White Satin" was, according to Hayward, "in adoration of all women". London Records decided to release a somewhat poorly mixed eight-year-old recording of the band performing at London's Royal Albert Hall, against their artistic wishes. "little" pregnant if one is in an early month and not showing. 27), as did Lodge's "Ride My See-Saw" (No. 15 in France) – still their concert finale number – which featured Pinder's non-album song "A Simple Game" as the 'B' side. These picked up both radio airplay and favourable reviews, but failed to chart in the UK. [7] Zo wordt het beperkte commerciële succes verklaard door de duur van het nummer. (...) The record company was trying to stop it by suggesting to radio stations that they shouldn't play it, but it didn't matter, That's a very big sound — a lot of effort has been put into this. (However, as appearances on French TV show, they continued to do two covers through at least the first half of 1968: the Hayward-sung "Don't Let Me Be Misunderstood", and "Bye Bye Bird", with the vocal and harmonica formerly done by Denny Laine now performed by Ray Thomas.) We'd gone with Epstein and that was a disaster." In any way, if so, I believe that this paragraph gives a strange impression. Caught Live + 5 was a live double album recorded c. 1969 but released c. 1977 with five previously unreleased studio tracks from 1967-69 added.). (...) La maison de disques a essayé de l'arrêter, en disant aux stations de radio de ne pas le passer, mais sans succès, « Le son est très remarquable — il y a eu beaucoup d'efforts investis là-dedans », « Mais je ne pense pas que ce sera un tube », « une ballade impressionnante, avec une production qui l'est tout autant », « peu de chansons peuvent aussi bien définir [The Moody Blues] aussi bien que la propre composition d'Hayward », « les deux [morceaux] ancrent l'album et forcent avec encouragement les auditeurs d'aujourd'hui à découvrir l'ensemble de l'œuvre dont ils sont issus », « possède également ses véritables moments de splendeur avec "Nights in White Satin" et "Tuesday Afternoon", tous les deux des tubes », « C'est extra Un Moody Blues qui chant'la nuit / Comme un satin de blanc marié, Ce graphique a été réalisé à partir des numéros de, Avant 1989, les singles étaient certifiés or par la RIAA pour s'être écoulés à un million d'exemplaires. Also in 1999, the Moody Blues appeared in an episode of The Simpsons called Viva Ned Flanders. In dit gedicht wordt het thema van het nummer nogmaals behandeld: "Impassioned lovers wrestle as one, lonely man cries for love and has none" ("Gepassioneerde minnaars worstelen als één, eenzame man hunkert naar liefde en heeft geen"). A promotional film for the song was filmed on location at Groot-Bijgaarden Castle near Brussels in Belgium. The band had begun to reinforce their concert sound in 1986 with the addition of a second keyboardist. En 2005, une version interprétée par Glenn Hughes fait partie de la bande originale de Furtif[m 34]. 8), which was credited to Hayward and Lodge even though it was just Hayward with 10cc backing him. 35) in "Blue World" (No. The 1968 follow-up LP, In Search of the Lost Chord included "Legend of a Mind", a song written by Ray Thomas in tribute to LSD guru Timothy Leary which encompassed a flute solo performed by Thomas – four members of the group had taken LSD together at the start of 1967. I just bought the extended track -- with the Lament -- from Amazon in 2015 and the gong sound is most definitely present at the end of the 7 minute track. Le single atteint respectivement les 14e et 8e places de ces deux classements[6],[20]. They made some changes in musicians but settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward, and bassist John Lodge, who stayed together for most of the band's "classic era" into the early 1970s. The Moody Blues formed in 1964 in Erdington, a suburb of Birmingham in the county of Warwickshire. --Helios13 (talk) 20:04, 1 February 2018 (UTC), I believe NIWS charted in 1979; the article cites a 1979 Irish chart but does not mention it in the intro section.